Meeting the challenge

Or, don’t blow your New Year’s Resolution on the first day.

So, it’s a new year, good time to take stock, figure out where you want to go next, right? That’s what’s with the whole New Year’s resolutions anyway. So, was writing on your list? It was on mine. My rather ambitious list. That I didn’t write down. Or tell anyone. So if nothing happens…

Not exactly the best way to motivate. No, first off, keeping your resolutions actually doable is a good way to avoid frustration. Is my list doable? I have no idea, because I haven’t actually written it down, or gotten it in a solid form.

Second, some form of accountability is good. Write your list down so you can’t forget it. Even better, tell people what you want to accomplish. Better still if you can get them to try with you.

Third, make sure it actually does matter to you. Your more likely to succeed in a goal that you care about than one you don’t.

Four, make your plans concrete. Resolving to write a short story every month is more likely to happen than resolving to write more short stories. Saying that you’ll walk a mile three times a week works better than saying you’ll exercise more.

Five, find a way to reward yourself for succeeding. (If you are trying to lose weight, avoid food based rewards as much as possible). Maybe say you can’t buy that new game you want until… Or that you can do this that you’ve always wanted to do once you…

Six, actually do what you resolved to do. If you put it off, you’ll find plenty of excuses not to do whatever it is. But make a point of doing it, and keep it up.

So, is writing on your resolutions list? If writing is a priority to you, it probably should be. Find a way to challenge yourself. Say you’ll write x number of words over y period of time. Decide to submit to z number of markets. Decide to try a creative challenge. One of mine is to try to write a short story every week (heaven alone knows if I can manage that.). I’m also resolving to use social media more, like my blog, Pinterest and Facebook. For example, the Full Moon Festivities (first one is up).

Anyone want to share their resolutions?

P. S. Here are some guides on keeping resolutions.

First full moon festivities is up. History of the Werewolf. Includes werewolf jokes. Some are real howlers.


First Lines

I think almost every author will agree with me when I say that first lines can be the hardest thing to write. I can’t count how many times I’ve wanted to start a story, known what I wanted to say, and just stared at the empty document because I couldn’t figure out how to begin.

Unfortunately, first lines are also vital. A brilliant first line hooks the reader, leaving them wanting more. An okay first line at least leads them to read the second, hopefully the third… and so on.

I believe that pressure is one of the things that leads to the trouble of coming up with the first line. We look at brilliant first lines from famous books, and feel self-conscious, trying to come up with one just as good.

Honestly, I think some first lines are considered good because of what story they are from. Take the opening line of ‘Moby Dick’, “Call me Ishmael.” Definitely iconic, but I think that ‘Moby Dick’ made the line iconic, rather than the line making ‘Moby Dick’ a classic. Other stories, the first line is undeniably good. I remember reading a book where the first page left me wishing I had written it. Ironically enough, I still haven’t finished reading the book, meaning a great opening is not the end all and be all of catching a reader’s attention.

What makes a good first line? The ideal first line gives a small sense of situation, place, and/or character, while raising questions in the reader. The first line must make the reader want to read the second. Modern readers don’t have the patience to read a few chapters before the story gets good. You have to have them by the end of the first page.

Your story doesn’t have to start with a bang. No one has to get shot, or murdered. Nothing has to be stolen. The ancient gods don’t have to rise up against mortals or the space shuttles flee a dying earth on the first page. You can start with that, if that’s how the story demands to be written. But there are a few caveats.

When you write a story, you are entering in an implied contract with the reader. You are telling the reader that your story is worth the money spent buying it, and the time spent reading it. To be fair, you have to let your reader know what kind of story they are getting into as quickly as possible. A tender love story should not start with a brutal murder. A thriller romance on the other hand, can. However exciting your opening is, you have to top it later. A high tension opening should lead to a high tension book. Not that the tension won’t relax in places, but the tension should remain high and even increase.  Other genres expect a slower build. Some romances, literary fiction, etc. won’t expect, or even want a high impact beginning. Fantasy and Sci-Fi are more versatile. Good stories of both genres have been written with high tension beginnings or lower tension beginnings.

Two, keep in mind that we don’t know these characters yet. Even if this is a series, consider that some readers may not have read any previous stories. This could be their introduction. Putting a character in danger only works so well if the reader hasn’t had time to care about them yet. No, putting them in danger won’t make a reader care. Yes, we all feel something when we see the baby stroller start to roll into traffic, but it won’t be nearly as much as we feel if you show us first the parents, who had struggled to have a child for years, and are so overjoyed to finally have one, even as they grieve that the doctors say they can never have another. That, and unless you are writing a very dark story, we all know that the baby will be fine. TV Tropes calls it ‘Infant Immortality’. (possible NSFW language). If you are writing a story that dark, I recommend letting the readers know before something happens to the baby.

Back to openings. With all this pressure, how do we ever begin? Well, one exercise I enjoy doing is to open a blank document and writing ten sentences that could begin a story. Don’t hold back, don’t censure yourself. Don’t even worry if they don’t make sense. Don’t limit your genre either. It’s actually surprising the way a story can twist. The same sentence can lead to a comedy, a tragedy, or even more.

After I’ve written my sentences, I like to pick one and see what kind of story it leads to. Sometimes I find that my first sentence doesn’t remain my first sentence, and that’s fine too. Others, I haven’t written, but I hope to someday because I really want to know where they go.

One sentence I came up with was I don’t bleed anymore. I’ve written a story with that, almost two. The first version, which I enjoyed, was a rather pulpy style monologue of a woman transformed into something who was confronting her killer. The first paragraph went like this:

I don’t bleed anymore. Never thought I would miss it either. I do though. Not so much the blood itself. But what it means. When I bled, I was human. I breathed. I felt pain. I don’t do those things anymore. I don’t know what I am, either.

Personally, I think that’s a decent opening. Possibly better than the opening in the second draft, which focused more on a man who woke up in the middle of the night to find something that accused him of killing her. The first paragraph went like this:

Jacob Reaves woke up and stared at the ceiling through bleary eyes. It was a few minutes before he was able to think past the headache, and nasty taste in his mouth to realize the slightly familiar ceiling wasn’t his bedroom ceiling. Shuttering his eyes, he reached out with a leg. Yup, he’d passed out on the couch. Again.

Maybe you think the second opening is better, I don’t know. Actually, I would love to know which opening you prefer. So, why did I change it? Because I believe the second version of the story is better. The reader finds out more about the characters for one. Not everything is left to the reader’s imagination. That said, I am still fond of the first version. Perhaps someday I’ll put together a collection of short stories and include it as a bonus.

Other sentences I haven’t done anything with, but am curious to see what will happen. This is the story of how I drove to work and ended up three states away with an angry possum in the back seat. Or how about: I decided to quit chocolate the day the emus robbed the store. Personally, I really want to know how those are connected. Then there’s Helios bridled his horses, wondering again if it was time to retire. I don’t think that’s a retelling of the formation of the Milky Way, but I suppose it might be.

There are others, but that’s not the point. The point is that this exercise can give you a starting point. A way to play creatively. This exercise can also be done as a group. Maybe have everyone write three to five sentences and pass them to someone else. That person has to pick one and use it as a starting point for a story.

Most of all, remember that with writing, anything can change up until it’s published. Just start. You can come up with the perfect gem later.

Taking the creative challenge

So, it’s been… a while since my last update. Sorry about that. I don’t have much of an excuse. The longer I went without blogging, the more awkward it seemed to go back to it. But awkward or not, I’m going to try to revive this blog. No better time then now. (My brother didn’t accept my  ‘Can’t work. There’s a guinea pig on my keyboard.’ excuse. Maybe because it was a plush guinea pig… that I put there.)

I may not have blogged in the past three years, but I’m still writing, still reading writing books, and still going to conventions. At the last convention I went to (MarsCon in Williamsburg, VA), I bought a CD of a concert given by the Musical Guest of Honor (S. J. Tucker, who was amazing). I was listening to it recently, and one of the things she talks about is this song writing challenge she participated in. It scared her at first, but she found herself looking forward to it as time went by. She encouraged everyone else to participate in creative challenges especially ones that scared us.

As it happens, I’m preparing to enter a creative challenge myself. I’m sure everyone here has heard of National Novel Writing Month (NaNoWriMo, for short). I know I mentioned it forever ago in the blog. What you may not know is they do a less structured version in the spring and summer. Camp NaNoWriMo is in April and July this year. I’ve participated a few times, winning some, losing others. But I’m trying again.

In fact the story I plan to write is a challenge itself. I came up with the bare bones of the idea in about fifteen minutes while walking home about nine years ago. Then I put it on the back burner. The story is about a girl who wants to be a Storyteller, a man’s job in a world where gender roles are sharply defined. It doesn’t help that she has the wrong kind of magic.

I never completely dropped the story, but it’s been in the back of my head for a long time. Because, in order to write the story, I have to invent the mythos of the world. It’s something I’ve never gotten around to. But when I mentioned this idea to my brother, he loved it, and insisted I try it for this Camp NaNoWriMo.

So, a challenge. One I’m a little intimidated by, honestly. And while I’m at it, I added another challenge. It’s time to go back to weekly blogging. I hope that I manage to find some readers.

To anyone who is reading, I encourage you to take up your own challenge. Maybe it will be a formal challenge like Camp NaNoWriMo, or maybe something self-imposed, like writing a page a day. Feel free to share your favorite challenges or least favorite challenges in the comments.

For anyone interested, my user name on Camp NaNoWriMo is Writerwyrm. Feel free to check on me and see how well I’m doing on this challenge. Next week: Back to Worldbuilding 101: Building a Mythos.